“How does Alfred Hitchcock explore the duality of human nature in the film Psycho?” Essay

Alfred Hitchcock uses some ways to explore the dichotomy of tender reputation in his conveys, especially in the 1960 horror thriller psychotic person. The dichotomy of merciful constitution acquaints our upcountry self, aspects that argon mainly opposites, the calorie-free presentation good, the aristocratical showing wretched, the lifelike and the unnatural, be just some examples of sympathetic being character. Hitchcock explored the duality of gentle nature using ways such as visible radiation, dialogue, camera angles, music, analyze and contrasting what disparate characters would do when facing the like fuss and individuation. fit in to Carl Jung, individuation is when a person resides they inner side (usually the dark, negative and evil side). He believed that successful individuation meant that a person non solitary(prenominal) confronted their dark side, but enchanted it as wellhead and that people needed to grapple and confront the negative aspec ts of their personality or their dark side would enter the person. This means that inside e veryone, in that location is a darker side, an evil and bad side, that essential be confronted, or it will ruin you. By looking at the two main characters Norman and Marion, and two minor characters, surface-to-air missile and Lila, we jakes see the duality of human nature.Both Marion and Norman are be confronted with their inner dark self, yet, Marion conquers her dark side, while Norman lets it take every placement his life. Sam and Lila, however, are mostly seen as good and natural. thither are many key guesss throughout the movie Physco, which explore the duality of human nature. Some of these scenes include the opening scene, the scene in which Marion is crusade out-of-door after winning the money and the parlour scene. The blackness of Psychos opening credits sequence symbolizes death and the opening scene of Psycho starts with a goat god view of the cityscape of Arizona.The shot, from a wide pan into a dark bedroom, leads the lulu into a dark, secretive space, showing the viewer immediately that we will witness something secretive and dark occurring during the film. The viewer withal hit the hays that the theme of hiding from something is established, as the two are hiding their affair, and Sam is hiding, or shying away, from marriage to Marion. We learn that the two have money problems, from Sam, who says, I sweat to pay off my fathers debts and hes in his grave. I sweat to pay myex-wife alimony, and shes living on the other side of the world somewhere, and A couple of days and my debts will be paid off, and if she ever remarries the alimony stops. Marion hunchs the simply problem between the two of them is money, and that if it wasnt for money, the two could be to keepher. It is at this time, that Marion begins to confront her inner self, the need for to a greater extent money, so she herself can marry Sam, and not have to worry about her job. When Marion returns to work after her lunch minute of arc she complains of a headache.When Marion s boss asks her to deposit $40,000 for him, I dont even want it in the office over the weekend. Put it in the safe deposit box in the bank and well get him to entrust us a check on Monday instead Marion sees this as a chance for her to finally be with Sam and solve all her monetary problems. Behind Marions desk are paintings of sprawling lands, including images of trees, woods and natural landscape. These images put her isolation and show her desires for freedom. The scene in which Marion is driving away from genus Phoenix is in any case a key scene in which Hitchcock explores the duality of human nature.We see Marion driving away, after she leaves Phoenix and after she meets with the Police Officer, trades her car, and as she does so, the audience sees how uneasy she lives, the latent hostility in her expressions, and we hear the imaginary voices she is tryout in her head, a bout what may be happening because she has taken the $40,000. Marion is thought about what the consequences of her theft were, and what is happening back in Phoenix. The audience hears the voices in Marions head, the voices of Marions boss, her sister, what Marion is thinking. The audience is put into Marions mind.We feel the tension when she is being interrogated by the Police Officer and in a way, we feel relieved when she is let off, even though what she did was morally wrong. In many places in this scene, we are put into the point of view from Marions perspective, which brings duality of human nature not only to her, but to us as well, as we feel care WE are in the scene. Hitchcock does this as he wants the audience to think, what they would do if we were Marions position, which questions our own duality. Marion, while she is driving away with the stolen money, has currently let her dark, inner side take over her.She is taking advantage of her bosss trust in her and is doing t his out of in person greed and wealth. Here, Hitchcock is showing us what giving in to your inner dark side can result in. One of the major key scenes in Psycho that shows how Hitchcock explored the duality of human nature is the parlor scene, between Marion and Norman. At the start of the scene, after Norman returns from the house with milk and food, they converse concisely outside on the porch, and we see a reflection of Norman on the window. This shows his other side, his mother side, which has just been lit in him.The framings of Norman and Marion are unnatural. She is roundly lit, while he is being lit at angles and relatively more dim than Marion. He is a man, offering milk to a woman, and the openness he shows towards her symbolize the fact that he has chosen her as his next victim. However, it is not till they go into the actual parlor that Hitchcock explores the duality of human nature even more. The parlor room is quite small, which forces Marion and Norman to sit quite closely to each other. Even though they are both in the same room, the lighting the two receive is substantially different.Marion sits near a lamp, and her frame looks more lit, and well-rounded, giving her a eager and warm feeling, as if she is good and positive. It appears to seem that she is redeeming herself from what bad she did forrader. Norman, however, has a frame with many shadows- a symbol of darkness and evilness and the lighting on him seems both angular and irregular, and unlike Marion, we cannot see the whole of Normans face, like as if Norman is hiding something. Also, while Marion looks like she is at impart ease, Norman seems to be irregular and the atmospheres around him seems to be evil and dark.During virtually the whole scene, Normans left side of his face is the only side thats visible, while we can see the whole of Marions face. While both characters do not look to out of place in they individual frames, when they are put side by side, there is a clear co ntrast between Marion and Norman. Marion, in light change clothing, seems to represent goodness and normalness, while Norman, in dark colored clothing, seems to represent evil, darkness, and a sense of abnormality. Here, we see very, very clearly the duality of human nature.Marion symbolizing the good, and Norman symbolizing the bad. But there is even more to this scene that adds onto the duality of human nature. We learn that Norman has a avocation for stuffing birds, and we see them, around the walls of the parlor, the camera often using a low angle shot to capture them. They seem to look over what is going on, and as they appear above Norman, look as though they are overpowering him, making his decisions and such. This shows that while Marion is move to conquer her inner side, Norman has already let it conquer him.Norman asks Marion What are you data track away from? and Marion seems shocked that he would ask. But when Norman says, No. good deal never run away from anything . The rain didnt last gigantic, did it. You know what I think? I think that were all in our private trapsclamped in them. And none of us can ever get out. Wewe scratch and claw, but only at the aironly at each other. And for all of it, we never budge an inch, Marion begins to realize that she necessarily to go back and get out of her trap instead of trying to run away from it.We also find out that Norman himself is also in a trap, but he says, I was born in mine. I dont mind it anymore, it shows us that Norman has not been able to conquer his inner side and has let it conquer him. Unlike Norman though, Marion does conquer her inner dark self and we know this when she says, Im very tired. And I have a long drive tomorrowall the way back to Phoenix, I stepped into a private trap back there and Id like to go back and try to pull myself out of it before its too late for me too. This again emphasises the point that Marion is the good and natural side while Norman is the dark, evil and unnatural side. So by just looking at some of these key scenes in the film Psycho, we know that Alfred Hitchcock used many ways to explore the duality of human nature. He used lighting to bring some characters into good light and show the goodness in some and the darkness in others. He also used camera angles, the show the sense of normality in some and abnormality in others, making them natural or unnatural.What different characters said also explored the duality of human nature, as the dialogue was very important, as it gave us an inside view to what the characters were thinking as well as what they said. Individuation- confronting and conquering your inner dark side, also explores the duality of human nature. Comparing and contrasting characters was another way Hitchcock explored the duality of human nature as he compared the good characters to the bad, and what different characters would do under the same problem. So, it is clear to see, that Hitchcock used many successful ways to explore the duality of human nature in the film Psycho.